delices DADA, theatre de rue delices DADA historique
Heritier actif de la mouvance artistique des annees 70...
 

 

 
- «Ambitious or presumptuous ?»
- «This will be the question that we will keep asking ourselves at the beginning of every single creation… through a lack of instructions, our productions lie on priorities derived differently from one creation to another: the choice of a script inscribing itself in the very terrain that will be used as its support, the use of speech as the prevailing material for the encounter with the audience, the invention of sonorous imaginary languages for a different type of theatre understandable to a French speaking audience, the exploration of mobility both in space and in the timeframe of the performance, the choice of writing our performances collectively and entirely according to a process invented for each project.»

- «And what about Dada ?»
- «That of humour, of the absurd, of deviation, of "poetrivity", of questioning the seriousness of art, of uniforms, of toothbrushes, of celebrations, of monuments...»

 

 

delices DADA, theatre de rue



inventaire delices DADA

  /1984/ LE MENU MUSICAL (MUSICAL MENU), LA CHASSE DU MARQUIS DE DADA (THE HUNTING OF THE MARQUIS DE DADA) /1985/ LE DADABRASS ORCHESTRA (THE DADABRASS ORQUESTRA) /1987/ LA D.A.D.A. /1989/ CIRCUIT D. visites guidées ( CIRCUIT D. guided tours), "La mort de Reiner" ("The death of Reiner") creation for the prizes of Grenoble Polar /1990/ COUSSINET /1992/ LE DALANGUE /1994/ LES 24 HEURES DE LA POESIE (24 HOURS OF POETRY), "Les Délices de Calais" (The Délices of Calais) creation for the acts related to the opening of the Channel tunnel , "La descente au Cratère" ("Going down the crater") creation for the season opening of Alès National Scene /1995/ "Opération T.P.T. théâtre pour tous" ("Operation T.P.T. Theatre for Everybody"), creation for the season opening of Calais National Scene, , "Rêves de marin" ("Sailor's dreams") creation for the festival "Grains de Folie" in Brest /1996/ LES TRAGÉDIQUES, "Oraison Déraison" creation for the festival "La Saint Gaudingue" in Saint Gaudens, "Le Salon de la Voyance et du Fourrage" ("The fortune-telling and fodder Fair" ("El Salón de la videncia y del forraje") creation for "Sacré Nombril" in Pougne Hérisson /1998/ LA DONATION SCHROEDER (THE SCHROEDER DONATION) /1999/"Enlèvement demandé" creation for "Les Ponctuations" in Saint-Gaudens and Carbone co-production - le Phun/Kumulus/Delices Dada, "Fonds de mémoire - Mémoires de fond" creation for the festival "Cratère Surface" in Alès /2000/ L'AUDITION (THE AUDITION), "Les causeries ombilicologiques" creation for "Sacré Nombril" in Pougne Hérisson... "Utile - Inutile" ("Useful - Useless") sonorous plastic installation at the Galerie de l'Ancienne Poste at the request of the Channel National Scene of Calais, "Dumas, Dante, Dada" creation for the Castle of If in Marseille for the bicentenary of Alexandre Dumas at the request of the National Monuments Centre /2003/ INDIGÈNES .

 

delices DADA, theatre de rue

dates etapes delices DADA
 
 

Circuit D. visites guidée
(Circuit D. guided tours)
Specification since 89 of a kind of narrative intervention to be made for and on the sites that welcome it and which has been taking its iconoclastic guides and outlandish characters around France and French speaking countries.

———————————————
Coussinet
(1990)
Turbulent dive into the city's depths and psychiatric world for a very confidential "tour - spectacle" designed as a game of false clues.

———————————————
Dalangue (1992)
A straight-line questioning of celebration through an extravagant and lyrical liturgy, of which the performers themselves have lost the meaning.

———————————————
Les 24 heures de la Poésie (1994))
(The 24 hours of Poetry 1994)
Le Marathon de la Poésie (1997)
(The Poetry Marathon 1997)
Gusts of poetry spread out over 24 hours or non stop over 3h1/2 in the company of
bruitistes poets ("noisists"), dadaists, letristes… all of them perfectly Artbrutistes..

———————————————
Les Tragédiques
(1996)
any international audience
Eviction of a tragedy performed in an invented language as a violent and expressive sonorous score directed at the urban landscape.


———————————————
La Donation Schroeder (1998)
(The Schroeder Donation 1998)
Nocturnal exploration, for 300 people, of a closed world where the characters, who have become the pawns of a contradictory debate about the future of the city, live .

———————————————
L'Audition (2000)
(The Audition 2000)
A return to the public square of a futuristic "meeting show" questioning modernity .

———————————————
Indigènes (2003)
any international audience
A "Romeo and Juliet" from before writing existed like an ancient hymn performed by eleven "indigènes" from nowhere.

 

mail : alo@delices-dada.org

frensh version of the site